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A Rhythmic Vocabulary: A Musician's Guide to Understanding and Improvising with Rhythm, by Alan Dworsky
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This 208-page book is the first systematic, comprehensive approach to learning about rhythm. It's for any drummer or other musician playing any style of music. It organizes and analyzes hundreds of African and Afro-Cuban patterns to give you a deeper understanding of rhythmic structure. It also teaches rhythmic concepts and variation techniques you can use to create patterns of your own. Learn to groove and solo with greater rhythmic freedom and express yourself with a richer rhythmic vocabulary. Winner of the DRUM Magazine Readers' Poll for Best Instructional Book. Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).
- Sales Rank: #1010561 in eBooks
- Published on: 2013-09-11
- Released on: 2013-09-11
- Format: Kindle eBook
About the Author
Alan Dworsky and his partner Betsy Sansby were born in the 1950s ten blocks away from each other in St. Paul, Minnesota. Thirty years later they got married adn they've been happily drumming together ever since. They are known for creating instructional books that are easy to follow and a pleasure to read. Their first book, Conga Drumming: A Beginner's Guide to Playing with Time, has become the best-selling book on hand drumming ever published. Their writing is warm and friendly, and they re passionate about clarity. They make sure students especially beginners get the right-size steps, in the right order, at just the right time. We don't just dump a pile of charts on you and leave, says Dworsky. We stay with you every step of the way, so you feel like you're getting private lessons. Betsy Sansby and her partner Alan Dworsky were born in the 1950s ten blocks away from each other in St. Paul, Minnesota. Thirty years later they got married and they ve been happily drumming together ever since. They are known for creating instructional books that are easy to follow and a pleasure to read. Their first book, Conga Drumming: A Beginner s Guide to Playing with Time, has become the best-selling book on hand drumming ever published. Their writing is warm and friendly, and they re passionate about clarity. They make sure students especially beginners get the right-size steps, in the right order, at just the right time. We don t just dump a pile of charts on you and leave, says Dworsky. We stay with you every step of the way, so you feel like you're getting private lessons.
Most helpful customer reviews
29 of 31 people found the following review helpful.
In the beginning there was Rhythm !
By �rn Leifsson
I think rhythm study is highly neglected in modern western music education, I studied piano for many years and of course you have to learn how to read rhythmic notation to be able to read music but there was no study of rhythm itself in all my studies. I felt a need to learn more about rhythm and I started to play the djembe and I certainly do not regret it, for apart from learning to play the djembe I have become a better pianist. This book is great to begin rhythm studies, I wish I had had this book many years ago, I highly recomend it for all musicians regardless of instrument because there is more to music than just melody and harmony, you have to have a good understanding of rhythm also.
But I want more,there are available tons of thick books about harmony but hardly anything about rhythm so I hope the author writes another book.
(I read somewhere that the late French composer Messiaen had compleated a big book about rhythm just before he died, I hope this is true and that it will be published soon).
15 of 16 people found the following review helpful.
Even if you aren't a drummer don't discount this one!
By R. Duarte
As a bass player I'm always looking for ways to keep my grooves fresh. You always have to worry about falling ino the trap of laying out on the same rhythms all the time. This book will give you a kick in the pants though. As someone who has studied music at a college level, and knows how to read music I was concerned the charts would be a pain since I've known how to read music for years. However picking up on them was not confusing at all..and in fact it's very much tied into the way you count on regular notation and it's really not a problem. Afro-Cuban/Latin and African rhtyhms are the focus here but you can use this on anything. I found myself taking a latin rhythm and adding one note here or there, and changing the notes and turning it into a funk riff or something. I'm not nearly done working through this book..some of the exercises are a challenge, especially on a pitched instrument. However in the end they do serve to freshen up your grooves. I'm going to recommend this to all the rhythm players in my band. Thanks.
14 of 17 people found the following review helpful.
musical notation
By Paul Hench
I am finding this book very useful. It teaches important rhythmic concepts in very direct ways. The only thing that I question is the decision not to use standard musical notation. The book is supposed to be for musicians of all instruments: why not write the rhythms in a language that will be understood almost universally by musicians instead of creating a different system (which admittedly is fairly simple and visual)? By doing this, perhaps they are opening up their audience to some non-musicians, but at the risk of alienating the musicians the book was meant for.
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